When making music, there’s always a balance to strike—between melody and rhythm, simplicity and complexity, order and chaos. Overwhelmed is an experiment that throws that balance out the window, diving headfirst into the idea of excess.
From the very first notes, the track begins with a steady, almost deceptive introduction. But as it progresses, layer upon layer of sound starts to pile up. The bass grows heavier, the synths become denser, and the rhythm tightens into a whirlwind of overlapping elements. The goal was simple: to push the boundaries of my usual sound, to see how far I could take it before the track felt like it was tipping over into complete saturation.
As I was creating Overwhelmed, I found myself wondering—how much is too much? Where’s the breaking point between a structured piece of music and something that feels like it’s collapsing under its own weight? The result is a track that is intentionally chaotic, yet still controlled in its own way. It’s an exploration of complexity, of layering, and of how sound itself can become overwhelming.
There’s an undeniable intensity to this one. Unlike some of my recent tracks that focus on clarity or atmosphere, this one embraces the idea of excess and lets the music speak in its own chaotic language. It may not be for everyone, and that’s okay—sometimes, pushing past comfort zones is where the real discoveries happen.
Give Overwhelmed a listen and let me know what you think. Does it resonate with you? Does it push too far? Or does it land exactly where it should? I’m always open to hearing different interpretations.